Browsing Posts published by AnarchicQ

Found via Furikku on LJ

1. Tell us about your favorite writing project/universe that you’ve worked with and why.
Project C. It’s speculative fiction in a post-apocalyptic world. I got to build an entire world but also drop in bits and peices from some of my existing projects.

2. How many characters do you have? Do you prefer males or females?
At last count there were about 112, but that was before I started Blood in the Water and I didn’t include Next to Godliness. I think I tend to create males. I don’t know why.

3. How do you come up with names, for characters (and for places if you’re writing about fictional places)?
Sometimes the characters tell me their names (NecroRaver, Suicide, Issues of Pylon, for some examples.) and sometimes I completely thrust a name upon them. (Craft, QXVII.)

I try to at least make the names appropriate to the setting, so no medieval characters would be named something like Tsuki or anything.

With NecroRaver, the first thing I knew about him was his name and I worked up from there. Suicide and Issues were cases of “I want a character named ______.”

4. Tell us about one of your first stories/characters!
My neighbours and I would play together and there was one game we used to play where we were demons and another neighbour was God (Therefore he had ALL our powers.) We were bipedal wolves with goat horns and bat wings. One of us had fire, one of us had lightning powers, water powers, and one had “TV Powers” which basically meant she could pause, stop, rewind and fastforward time and objects.

I had shadow teleportation powers and I was black and red. My name was Shadow. I miss being a kid.

My first actual original character was ShadowWolf, an outgrowth of Shadow and now a central character of Elven Lacryment.
She was my D&D character and about as Mary-Sue as you could get. She’s still rather Sue-ish but I stripped a lot of that away, which shows how bad she really was.

I’ve had characters before her and Shadow of course, but they were all ganked from TV and movies, which I guess contributes to my being a fanfiction writer.

5. By age, who is your youngest character? Oldest? How about “youngest” and “oldest” in terms of when you created them?

By age I’d have to say Katie from The Amethyst Breed. She’s 14. Katie is also the newest character of mine. I made her about a week ago. My oldest character is Algol Bedlam, vampire who’s older than Jesus Christ. The character I’ve had the longest is Otis/Growl. He was a snake which had a rattle, a cobra hood, diamonds on his back and every single poison. I’ve made him into a lizard, changed his name to Growl and gave him to my character Moroi.

6. Where are you most comfortable writing? At what time of day? Computer or good ol’ pen and paper?
My room, on my couch on my laptop.

7. Do you listen to music while you write? What kind? Are there any songs you like to relate/apply to your characters?
I have whole playlists dedicated to stories and characters. NecroRaver gets Nick Cave, epic songs and Covenant, Suicide gets Korn and Stabbing Westward, ShadowWolf gets Drain STH. You can see some of the playlists on my Grooveshark account

8. What’s your favorite genre to write? To read?

Post-apocalyptic dystopia! I like to read fiction, horror and biography, but not high-fantasy or sci-fi unless it’s simple or Marvel comics related. I don’t know why that is because I used to read the Pern novels and the Dealing with Dragons series and then I just sort of stopped reading high-fantasy. Oh well.

9. How do you get ideas for your characters? Describe the process of creating them.
It’s different for each character. Some are necessary creations (I need an antagonist/D&D character/Plot device/Narrator) and some just happen and enforce themselves on me.

But let’s say I needed a new character. Let’s use Katie as an example because she’s new. I started with her purpose, then the design, attitude, then finally name. Her backstory came part and parcel with her attitude.

10. What are some really weird situations your characters have been in? Everything from serious canon scenes to meme questions counts!
Once Suicide turned into a woman from eating enchanted chocolate. Bras and cramps SUCK.
Once Drow went to something like Silent Hill. It screwed up his head for a while, he was actually abstaining from women a while after that.

11. Who is your favorite character to write? Least favorite?
NecroRaver is fun. Evil and fun. Drow is also fun. My least favorite is probably Phantasmagoria because his brain is just… askew.

12. In what story did you feel you did the best job of worldbuilding? Any side-notes on it you’d like to share?
Necropolis.It’s sort of Vancouver meets LA meets Gotham City meets Silent Hill. A lot of it is thanks to Shoepixie. She’s contributed many ideas, factions, citizens, even holidays!
But the framework of Necropolis is all me. Me and music.

13. What’s your favorite culture to write, fictional or not?
No.

14. How do you map out locations, if needed? Do you have any to show us?
I map them out in my head and then I draw it on paper. I suck at maps though.

15. Midway question! Tell us about a writer you admire, whether professional or not!
Drew Hayes of Poison Elves, Sam Kieth of The Maxx, Ojo, Zero Girl, Warren Ellis thanks to Transmetropolitan, Alan Moore for his contribution on The Maxx (yes), Mark Z. Danielwsky for HOUSE of Leaves, even if I cannot for the life of me read Only Revolutions. POE is a great lyricist. Alice Cooper, Nick Cave and whoever writes Rishloo’s songs.

16. Do you write romantic relationships? How do you do with those, and how “far” are you willing to go in your writing? ;)
Once upon a time I promised myself that the first thing I wrote would not have a romantic subplot. I broke my own promise. Oh well.

I tend to fade to black or have something interrupt or distract whoever’s about to get it on. Because I am a tease.

17. Favorite protagonist and why!
Um. Hm. ShadowWolf because she has a special place to me. But her aside, the protagonist of Project C because he was a character born out of purpose, to tell a story, not just a character made because it would be a cool idea.

18. Favorite antagonist and why!
NecroRaver. Because he’s NecroRaver.

19. Favorite minor that decided to shove himself into the spotlight and why!
Either NecroRaver or Suicide. Necro started as a bit character and Suicide ….is Suicide. He sort of inserted himself into Elven Lacryment.

20. What are your favorite character interactions to write?
Algol and Drow play off eachother nicely. I’ve been contemplating doing more comics with those two.

21. Do any of your characters have children? How well do you write them?
Some of them do. I can’t tell you who because that’s just spoiler territory.

22. Tell us about one scene between your characters that you’ve never written or told anyone about before! Serious or not.

Algol: *hands Drow a book* Here, read this.
Drow: *Reads the cover* …House of Leaves…
*One week later*
*A book flies towards Algol’s head*
Drow: *Off-panel* WHAT THE FUCK?!

23. How long does it usually take you to complete an entire story—from planning to writing to posting (if you post your work)?
Depends. Fan-fic usually takes a day to a week. Project C took months and months and it’s still not done, but the first draft took about 4 months.

24. How willing are you to kill your characters if the plot so demands it? What’s the most interesting way you’ve killed someone?
I’m very Rocks Fall Everyone Dies. Death happens. I think betrayal is worse than death.

The most interesting way I’ve killed someone will be the penultimate scene in Elven Lacryment.

25. Do any of your characters have pets? Tell us about them.
ShadowWolf has Xanther, her wolf companion but he’s not really a pet.
Dameon Silverskull has a vulture.
Suicide used to have a horse.

26. Let’s talk art! Do you draw your characters? Do others draw them? Pick one of your OCs and post your favorite picture of him!
Yes.
ShadowWolf.

27. Along similar lines, do appearances play a big role in your stories? Tell us about them, or if not, how you go about designing your characters.
I hate that people hate Obligatory Paragraphs of Description. But to me, character design is very important. Not only are my own creations important to me but I like to know what other characters look like. If your story has a lot of characters, I would like some defining characteristics other than a name.

28. Have you ever written a character with physical or mental disabilities? Describe them, and if there’s nothing major to speak of, tell us a few smaller ones.
Issues is mute, due to torture.
Moroi is paranoid schizophrenic.
NecroRaver is an arm amputee.
Gideon is a double leg amputee.
Ehren Manus has no feet.

29. How often do you think about writing? Ever come across something IRL that reminds you of your story/characters?
Always. A music video, a book. Once I saw a guy at a club who looked a lot like NecroRaver. That same night I also saw a Suicide. It was surreal.

30. Final question! Tag someone! And tell us what you like about that person as a writer and/or about one of his/her characters!
I suggest all the writers reading this do it too.

I’m not arrogant enough to believe that anyone reading this has actually been actively following me from blog-space to blog-space, fandom to fandom in my time on the internet (Except for that House of Fail guy, what is up with him?). So I don’t expect anyone to know about, let alone remember, my review of DooM – Knee Deep In the Dead back when I was with the Splurd Crew. Long story short: I enjoyed not liking the book. I liked it the way people like Battlefield Earth.

For Christmas, Kippurbird of The Eragon Sporkings got me book two, Hell on Earth and I have to say I actually enjoyed this one.

The characters actually became a little more in depth, particularly Arlene who was a one dimentional Mary-Sue Ripley Knock-off in the first book.

We also delve into cults and religion and a whole whack of stuff and to be honest I think one of the strong points in this book was the fact that there were very few monsters and it was mostly character development. It made me feel a little dirty to come to that realization because it’s a DooM book, it’s all about the one note wanton violence! I’m not supposed to want character development.

Having said that, we do get appearances from more familiar monsters. Revenant and Mancubus show up, as does my beloved Arch-Vile.

We also get two new side-kicks. One is Jill the tom-boy hacker. I like Jill, which probably means she’s going to get killed by the end of the series. The other is Albert, a former Marine turned Mormon with the hots for Arlene. Lucky for them Talking is a Free Action and discuss glory holes and marriage while trying to un-couple a train car from a speeding locomotive. Yes, really.

Unfortunately the writer still had an annoying habit of making characters stupid for plot reasons. For example, Fly says they need ‘tech’ to build a ship. Arlene replies with “Tech?”. Of course you need tech to build a freaking rocket ship! She could have said “What sort of tech?” or something, but no, Arlene was clueless.

Also continued was the out of place vocabulary. If you’ve taken the time to read my other review, or This FRIENDS 4 EVER!!!! strip, you know that one of my biggest problems with the book was that the character Fly had a vocabulary bigger than his education should allow for. One word that caught my attention in Knee Deep… was nomenclature. They use that word again in this book no less than twice. Also, I counted at least eight punctuation and spelling errors in the book. Eight. They miss-typed “The” as “eht”. Almost every page had at least two exclamation points.

Finally, just like at the end of the last novel, Fly and Arlene are confronted with a huge problem and the last sentence is basically Arlene saying “Fly! I know how to _______ us to _______!”

At any rate I found it much more enjoyable for what it was then the first book and really want to finish the series but I can’t find the other two books anywhere but online. My life is hard.

So, I’ve been working on Blood in The Water off and on for a few months. Unfortunately I don’t have a record of when I actually started it, the closest I have is November.

Anyway, it started as a spin-off as the now discarded Keep What You Kill story, with a premise I enjoyed much more: Post-apocalyptic vampires. Because damnit all if I can’t stay the hell out of end of the world scenarios!

But my main problem was that there was a certain plot point that was too contrived. I needed a why, and I didn’t have one.

And then the antagonist started to speak, and he said the answer to “why” was “Because I, the antagonist, say so.”

“Of course!” I exclaim jubilantly. “Genius! Have some pie, Mr. Antagonist.” He likes pie.

This all came after I was working on Amethyst Breed for a few weeks. Hopscotching from story to story seems to be how I work best I find. I guess it gives me fresh perspectives.

You may now return to your regularly scheduled Internet surfing.

It’s ARTISTIC.

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God, if there was ever a control test for the “PUT WARNINGS ON YOUR FANFIC!” debate, this is it.

Ok, so Amanda FUCKING Palmer is doing something Amanda FUCKING Stupid. (Full disclosure: I am not a fan of Amanda Palmer (nor Neil Gaiman). I’m apathetic to her existence. I supported the tummy pudge indecent though.)

Basically she and this other musician dressed up as conjoined twin musician girls who’s back-story is filled with abuse and poverty.

And it’s fake. No, Totally, see how EDGY Amanda Palmer is?!

Now, let me walk you through my reaction:

That’s SO WRONG!
WRONG WRONG WRONG!!
FUCKING STOP IT!!
….But…wait…
How is this any different from Alice Cooper and his crutch walking, straight-jacket-wearing, baby stabbing, woman beating self?
Hmm…
Or Lady Gaga? (Whom Palmer apparently hates so I derive a bit of glee from comparing the two of them)
Or Marylin Manson?
Or especially that Brothers of the Head movie?

How can I enjoy Coop and be offended by this? Wouldn’t that make me a hypocrite?

I think the difference is, for me, is that deep down, we all know Alice, Manson, Gaga, and Brothers of the Head are fictional. We know that it’s all pretend, but when the cameras are off, the fantasy goes to sleep and the artists go back to being regular people.

But Palmer, she has some sort of air of…well, people are calling it ablist bullshit, and it is, but it is also, undeniably art.

In the same way a Myspace camwhore on DeviantArt is art. This work which Palmer created is very War of the Worlds meets Jerry Springer. It’s shocking, it’s exploitative, and it’s ignorant.

But, there’s no one to exploit.

Unless you count the fact that Palmer was such a “Saint” to “Rescue” the “girls” and “Help them live out their dream!”
These quotes are getting tiresome.

That’s the thing, the whole thing smells of “My Pet Cripple”, but now with %100 less disability!

But that’s not all, my friends. No, the twins were ABUSED! SEXUALLY!

Amanda, do you know how prevalent sexual, physical and mental abuse is among disabled people? You should look it up. After you do that, maybe you won’t brush it aside as a footnote in a character’s back story.

The best part of all this? Amanda isn’t trying to say anything with this whole thing.
It’s not a political statement.
It’s not a petition for disability rights/problems/whatever.
It’s not about child abuse or prostitution.
It’s so Amanda can release music without having to owe her record label another album because apparently there’s some sort of SNAFU going on about that.

It. Is All. About. Her.

I’m glad I never liked you, Amanda Fucking Palmer

Macmillan v. Amazon

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I only understand the basics of what’s going on about the whole Amazon pulling Macmillan books thing. I know it’s wrong and I know that Amazon is being a bully.

So, in retaliation, I’ve removed my Amazon Associate links from my blog and I will be removing them from my webcomics as well.

If this, plus Amazonfail of a few months ago bother you, and you no longer wish to give Amazon your business, I recommend Book Depository. They even have free international shipping! The only down side is that they have no wish-list feature. Maybe that will change. We can hope.

Movie Review: Fame (2009)

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Oh dear. Oh…oh dear.
Well, um, the musical numbers were good?

I never saw the the original movie so I can’t compare the two but I found this greatly disappointing. In a time where we have Chicago, Moulin Rouge, Repo!, and even the horrible Rent, it’s easy to see why they decided to reboot the film. Money, of course.

The problem lay in the fact that there were too many characters to focus on and too many plot lines were just glossed over. To make matters worse, the time the movie spans is four years. With no sense of passage of time other than notifications of “Freshman year”, “Sophomore year” glittering across the bottom corner of an otherwise black screen.

Here’s an example of what I’m talking about:

One character is told by a producer that if he provides $5,000 dollars, they’ll produce his short film. Character gets the money, gives it to producer, then, surprise surprise, Producer skips out on him with his money.

Then we’re told it is now senior year.

How the hell did that character handle the situation? What was the resolution?

Oh, and speaking of Chicago, in the movie, they were going to do a production of it. It’s mentioned twice, one lame audition, and one as set up for Black Girl’s character arc. Then we never mention it again. We don’t get to see it performed or anything. It’s like the writer’s had instant amnesia.

Every single story line in this movie except for the one belonging to the talented black girl ends up like this.

Other than talented black girl and quirky Asian girl, I hated all the characters. Everyone was one dimensional and shallow. There was no sense of personal improvement or struggle or anything that was compelling at all.

Don’t waste your time.

So, on Friday I received an email telling me that the course I registered for, the Graphic Memoir one was cancelled due to low enrolment. That sucked. I was bummed. I’m going to try to enroll in a Douglas Collage course on Memoir Writing, but it might be too short notice.

However, look what I got in the mail today!

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That’s right boys and girls! There is a Santa Clause, and his name is Allison. Thanks Allison! So much!

I am still squeeing.

Get your copy NOW!

So fandom, we’re at it again, are we? Another racism conversation? Great.

Look, yes, Racism is bad. *isms at all are bad, but they happen. And there will always be people who don’t care. Because of this, *isms won’t go away. It also won’t go away because you keep bringing it up.

I watched Avatar the other week, and guess what? I loved it. I thought it was beautiful and, given the subject matter, done with class. Why is Avatar, which is an obvious allegory for the settlement of the Americas racist, but Schindlar’s List a movie with a message? Both events happened, historically (More or less), so why is one racist tripe while the other is not?

Yes, Transformers II is blatantly racist. I’ll give you that. You don’t have argument from me on that.

What about Star Wars. They’re aliens. They look and act completely un-real and unfamiliar. I never saw Jar-Jar as racist because he, just like Jabba, and Yoda, and Sebulba and Chewy and countless other creatures in Star Wars looked and acted otherworldly. I never realized that Jar-Jar Binks was problematic until Lisa Simpson pointed out that he was “A tired Stereotype”.

And that’s what Avatar had: Sterotypes. Everyone was a steriotype. A trope. And that’s ok.

Of course, if this movie made me think of any other race, it made me think of Gelfling…

I understand the concept of voting with your wallet, and I respect it, but just because you find something to be racist, doesn’t mean I do, nor does it mean that you have the right to make me feel guilty for enjoying a piece of artwork. Because that movie, like it or not, was art.

And here’s another thing, The biggest argument I always hear is “People keep making these movies because people keep paying for them. Stop paying for them and they’ll stop being made.” But guess what? It’s not just the viewer’s responsibility. What about the writers writing racist characters? What about the directors, the makeup artists, the costume designers?
What about the actors accepting racist roles? Why don’t they show their self-respect and put their foot down and say “This is wrong. I won’t do it.”? They have more power than we do, bucket-loads more. Appeal to them, and leave me alone.

In the new year…

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I am so totally registered for this course!

In the new year, I’m going to try to finish a page of A Girl Called Kermit every 2 weeks. I’ve broken it down into chapters now, one for each health issue I want to address. My main problem with AGCK before was that it was too “And then this happened and then this happened…” so I’m hoping that by breaking it down into chapters that will relieve some of the monotony in the narration.

Last night I lay awake pondering how the same mind who created AGCK could also create NecroRaver. If Project C got published, would it’s questionable content make others upturn there nose at my other works? And then I remember that Clive Barker has written children’s stories and Julianne Moore starred in movies with incest and also wrote Freckle Face Strawberry. But I am not a celebrity.

Welcome to my morning thoughts.

So, as anyone who cares about the publishing world knows by now, Black Matrix’s pay rates are 1/5th of a cent per word. ONE FIFTH of one cent. Per word.

And some people are ok with this.

Seriously, people? Seriously?! Are you so desperate to get published that any little acknowledgement is good enough for you? That one word you crafted, let’s say it was the best damned perfect word in your entire manuscript, isn’t even worth a whole penny?

Why are you selling yourself so short? It makes you appear that you have no confidence in your work or respect for yourself.

Others still, are defending Black Matrix, insisting that “We can’t all be multi-published authors and we’re just struggling little folk trying to make it, stop being cliquey!

…I am not a commercially published author by any stretch of the word, though I am trying hard to be. But come on, guys! I’m longing, I’m hoping, and I’m wishing, but I’m not an idiot. No matter how much I tell people “It’s not about the money, I just want to get my stories out there.” doesn’t mean that the Powers That Be can walk all over me and not pay me what I deserve for having put in the time, effort and love (and hate) into the project.

Here’s a fun fact! On Elven Lacryment I have two ad-spots provided through Project Wonderful. I’ve set the ad’s base prices to 10 cents and 5 cents respectively. Currently, as I’m typing this, one of the spots is earning 20 cents and the other is earning it’s 10 cents. I am earning 30 cents on my webcomic right now, just by running ads. Of course, some days it’s less and some days it’s more, but the website manages to sustain itself. I’m pretty sure that the comic’s entire run has less than 1000 words in it. My comic earns more online, unpublished, than it would if Black Matrix touched it.

They’re not helping you, they’re preying upon you.

Did you know that one of the requirements for a publishing company to be part of SFWA is to have a pay rate of at least five cents a word?

How can you not see what a dis-service you’re doing to yourself and your story? How can you treat your characters, your world that way?

Your art deserves better than that.

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